Two poems that explore the alter from this existence to what ever follows are May Swenson's " Question” and Emily Dickinson's " I read a Soar buzz--when My spouse and i died--”. The previous depicts a someone questioning the destiny of her body and soul after death's parting while the second option constitutes of the speaker retelling, from the burial plot, the moments surrounding her previous breath. Whilst both poems are written in first-person, making the chance of fatality personal, they will differ in tense. " Question” is usually written in present anxious, which adds to its stream-of-consciousness flow, and allows the speaker to look unsure and somewhat paranoid to resolve death's enigma. Inversely, " We heard a Fly buzz--when I died--” is drafted in earlier tense because an after death reflection. The poem's tense permits the speaker's observations being very blocked and specific; only the most significant details happen to be added, and they are generally mentioned, definitely not in date order, yet at the reason for which they have greatest result. Both poems are structured very in different ways. " Question” takes advantage of the free passage style allowing the composition to appear to be the disorganized spitting of thoughts. With no restraints of your rhyme plan or set number of lines per stanza, these devices gain the ability to spotlight any believed or image within the poem. On the other hand, " I noticed a Fly buzz--when My spouse and i died--” relies heavily on it's prose. It is structured into four stanzas with four lines per stanza, with lines alternating among eight and six syllables. Each series starts with a great unstressed syllable and then alternates stressed-unstressed till the end. This kind of pattern can be melodic and calming, just like the audio expected death to be, but also sounds like the " uncertain stumbling Buzz” of the fly. The meter makes sure that even when the fly is usually not being mentioned, its presence is continuously felt.